Traversing the Pine Haunt

Traversing the Pine Haunt began like most of my work with an itsy bitsy sketch. 


I blow this sketch up to the size I want to work with and transfer the loose lines and build my underdrawing
from there.


With the details fleshed out in pencil I begin to add value using layers of powdered charcoal and carbon pencil.


I slowly build up the values and try to get as much texture and little details - especially in the darkest areas.


Bearwip.jpg

Once the drawing is complete - I scan it and make minor adjustments. I then add color using many transparent layers to achieve the desired effect. I do a final pass of thin white strokes to make the detail/focus areas pop. 

ProcessJulie Wilmore